The Vollard Suite
The complete 100 etchings
The Vollard Suite is regarded as one of the greatest print suites, and perhaps the most enigmatic and famous of the twentieth century. Comprising 100 intaglio prints it was made by Pablo Picasso between 1930 and 1937 in Paris and at the Château de Boisgeloup — a country property near Paris the artist acquired in 1930. Although executed over a seven-year period, the majority of the plates date from 1933. This was the year when Modern art dealer and print publisher Ambroise Vollard commissioned Picasso to make the expanded series of 100 plates in exchange for a selection of French Impressionist paintings in Vollard’s private collection. It is thought that Vollard’s original intentions had been to use the works to illustrate a lavish livre d’artiste, and between 1936 and 1937 he enlisted master-printer Roger Lacourière to edition the works in preparation for publication.
When Vollard was killed in a car accident in 1939 the project remained unrealised however, and with the subsequent outbreak of the Second World War the editioned prints were left unpublished. At the time of their creation Picasso inscribed the date and place of creation on the plates, but neither assigned titles nor, following Vollard’s death, did he ever specify how the prints should be issued. It was only when the 100 prints were finally released to the public in the early 1950s that they became widely referred to as the Vollard Suite.
In the mid-1950s art historian Hans Bolliger devised an order for arranging the Vollard Suite that continues to influence how the 100 prints are interpreted and exhibited. By choosing not to follow the strict chronological sequence in which Picasso produced the plates, Bollinger identified seven themes running through the suite, which he grouped under the titles; The Plates, Battle of Love (Rape), Rembrandt, The Sculptor’s Studio, The Minotaur, The Blind Minotaur and Portraits of Ambroise Vollard.
Explored throughout are the enduring themes of history and creativity, ambition and achievement, fear and immortality, moral and physical fallibility, male sexuality and obsession. Illustrated with reference to classicism and Greek mythology, the Matador engaged in the bullfight, the artist and the model. Through these images the Vollard Suite can be viewed as an extraordinary auto-biographic document, reflecting Picasso’s mid-life musings on his own desires and conduct of an affair with his young lover Marie-Thérèse Walter, creativity and his growing stature as the twentieth century’s most celebrated and influential modern artist.
The National Gallery of Australia is one of the few cultural institutions in the world to hold the complete suite of 100.
Picasso: The Vollard Suite is a National Gallery of Australia exhibition. Ballarat is the only Victorian venue for this national tour.
& OPENING HOURS
23 February 2019 – 28 April 2019
Open 10 am – 5 pm daily
Wednesday-Sunday, 11.30 am
PANEL: LOVE THE ART, HATE THE ARTIST?
Saturday 26 March, 2 pm
PRINTING WORKSHOP: PHOTOPOLYMER PRINTING WITH DIANNE LONGLEY
Sunday 24 March, 10 am- 4 pm
AUTUMN LIFE DRAWING INTENSIVE
Sunday 7 April, 10 am-4 pm
AUTUMN SCHOOL HOLIDAY PROGRAM: RELIEF PRINTMAKING
Thurdsday 11 April, 10 am- 3 pm
PRINTING WORKSHOP: DRYPOINT ETCHING WITH BRIDGET HILLEBRAND
Sunday 14 April, 10 am- 4 pm
PICASSO INSPIRED: ART DISCOVERY DAY
Wednesday 17 April, 10 am- 4 pm